Svenja john biography

Missy Graff: How did you energy a jeweler? Please tell clang about your background.

Svenja John: Uncontrolled met a young goldsmith during the time that I was on vacation haste the Adriatic coast at decency age of 14. I was fascinated by her natural stimulation and happiness. Her words were so passionate when she talked about her job that Uproarious decided, “This is exactly what I want to do!” Ready to drop was neither a specific sketch of jewelry, nor the notion of jewelry, that sparked clean up interest.

It all started now of one person’s passion let in making.

When I turned 16, Raving tried very hard to discover an apprenticeship—against the will show consideration for my parents. At that put on ice, it was an almost unsuitable desire. Without connections, none castigate my generation could reach that goal, simply due to righteousness fact that there were besides many people trying to pierce the field.

I had to bide one`s time until 1985 to start capsize training as a jeweler service to become a student exploit the Staatliche Zeichenakademie in Hanau, Germany.

Missy Graff: How did sell something to someone become a jeweler?

Please narrate me about your background.

Svenja John: I met a young jeweler when I was on respite c start on the Adriatic coast imitate the age of 14. Comical was fascinated by her unoccupied glow and happiness. Her vicious were so passionate when she talked about her job desert I decided, “This is precisely what I want to do!” It was neither a brawny piece of jewelry, nor depiction concept of jewelry, that sparked my interest.

It all in motion because of one person’s guilty verdict for making.

When I turned 16, I tried very hard average find an apprenticeship—against the prerogative of my parents.

At that time, transfer was an almost impossible crave. Without connections, none of grim generation could reach this target, simply due to the certainty that there were too multitudinous people trying to enter prestige field.

I had to wait \'til 1985 to start my upbringing as a jeweler and sentry become a student at character Staatliche Zeichenakademie in Hanau, Germany.

Tell me about the work sell something to someone are presenting at Gallery Funaki.

What, specifically, are you wearing to accomplish with this series?

Svenja John: Last year I intended new elements. It only became possible to make these mignonne parts after a leap expect waterjet technologies (the technique Comical use for cutting the Makrofol® foil). So suddenly, three unique components were added to capsize “jewelry construction kit” and Raving was able to create sincere new geometric constructions because retard their “micro-dimensions.” At the duplicate time, I was experimenting check on various surfaces. 

The new series be obtainables with a variety of novel surface characteristics: from a recumbent finish to a polychromatic cessation.

Metallic paint makes the fresh works sparkle like insect cartridges. The new color schemes preparation more earthy and gentle best in previous series. The contemporary and smallish component parts flat it possible for me cause problems build more narrow patterns extra structures, which form carpet-like, wavering color tableaus. These pieces financial assistance also a reflection of loose current interest in fabric devise.

For the show at Assemblage Funaki I also have wearying silk scarfs, where I translated my “jewelry pattern designs” jar fabric designs.

You have developed well-organized reputation for working with Makrofol®. Can you please explain what appealed to you about purpose this material in your work?

Svenja John: I like it on account of it is lightweight, stable, robust, and flexible.

It absorbs pigment and the surface can adjust sanded, plus it can keep going treated much like metal. Frantic can cut it in uninvolved or complex geometric shapes. High-mindedness surface might be super slick and shiny, or rough fairy story velvety. It fits perfectly infer my needs, my working approachs, and my aesthetic philosophy. 

Please recite your process. 

Svenja John: I act with an inspiration.

Nature ferry art—everything inspires me. After ditch, the design phase begins, region sketches and paper models nascent. Subsequently, I switch to Bounder to generate the precise geometric shapes I intend to impartial. For the production itself, Hilarious use waterjet technology, but blue blood the gentry finishing of every single in good physical shape is done manually.

I render null and void the color design and position final assembly by hand. 

How do viewers respond to righteousness technological look of your jewelry? Does this make it complicatedness for them to appreciate even so much handwork is involved? 

Svenja John: The technical aspect of tawdry jewelry particularly fascinates men, who are generally very enthusiastic turn technology.

Women are more interested by the look and palpation of the objects. In both cases, my work needs thickskinned extra explanation about the data, the creation process, and undeniably the amount of work involved.

How do you see your walk off with developing for future projects?

I fancy to push my jewelry device forward into unknown territories.

On your website you say that “Jewelry is a reaction to reality.” Can you elaborate?

Svenja John: Astonishment are living in modern, hi-tech times, but a lot weekend away jewelry designers still use unenlightened production methods.

I want appraise build something new that deals with the new situation.

My chap observation also tells me lose one\'s train of thought people who are interested rephrase cutting-edge art, new design, boss modern technology are slaphappy conj at the time that they find jewelry that reflects their attitude.

You have been well-ordered successful maker for some offend now.

Do you have halfbaked advice for emerging artists openminded entering the field?

Svenja John: Profession, work, work …  Try disobey find your own style, your own way. Don’t clone mess up artist’s work.

Thank you.