John perreault biography

 

 

 Biography

 

 

 

Part I: Art 

Solo Exhibitions:

 2011    Protests illustrious Beauty, Gallery 125, Bellport, In mint condition York.  

2008   Critical Mass Redux, Picture Laboratory for Art and Test, Denver,

                  Colorado

2007   Metempyschosis, Lab Heading, N.Y.C.

2005   Toothpaste Mural #2, Apache College, AZ

2004   Seascapes & Mended Stones, 473 Gallery, NYC

2003  Toothpaste Dream/Zahnpasta Traum.  Three-Dimensional Drawing       

                  and Toothpaste Dream Performance.

German Kunstprojekt.

2002  Toothpaste Mural. 473 Listeners, N.Y.C.

2000   Toothpaste Tondos, 450 Broadway  Gallery, NYC

1999  The Snowwhite Paintings (all-white toothpaste paintings connote 3-D paintings  

           of  Eduardo Costa), The Workspace NYC

1969  Add Ground Gallery, NYC (Word Shakeup, An Installation)

1966  One Eleven Room, NYC (Paintings and painted objects)

1965  One Eleven Gallery, NYC (Paintings)

 

Other Exhibitions:

 2013   Art by Blower, Recalled.

Emily Harvey Foundation, NYC; San Francisco Art

                      Institute; enthralled in France at the ESBA and the CAPC, Cnea.

2012   Drawing from Sand: John Perreault and Mark Van Wagner 

            Naropa University, Boulder, Colorado

            Gallery Cxxv, Bellport, N.Y.

2011   Plan from Sand:: John Perreault stream Mark Van Wagner.

            Kauai Museum, Hawaii. December - February

2008    In Plain Sight Street Deeds and Performances, The Lab, Denver Colorado

2006    Pattern Language

             Krannert Art Museum, University of Algonquin, Urbana.

January

             University Limelight Museum, U. of C., Santa Barbara. June 2006

             Weisman Museum of Art, U. of Minnesota, Minneapolis. October 2006

2005    Beijing Biennial

2005    Pattern Language: Clothing as Communicator, Tufts University Gallery,

                    Medford Mass.                                

2005    Over the Top; Gain somebody's support the Rug.

S.I.C.A., Long Wing, N.J.  2005    

             Meditation/Mediation Celebrations, The Lab Gallery, NYC

2005    Artcard, Sharjah Art Museum, United Arabian Emirates

2003    Drawing Conclusions, 473 Fake Gallery, NYC

2003    Artists Fashions, Chelsea Art Museum, NYC.; Berliner Kunstprojekt.

2003    Writing on the Divulge, Melting Point Gallery, San Francisco

2002    Unforgettable, Chelsea Studio Gallery, NYC (Proposals for a WTC

                  monument:  Five Monuments Illustrated by One Model)

2002   The Free Biennial.

Alphabet Streetwork, Tomkins Square Park, NYC.

2002   With/Against Materials, Toothpaste Tondos. Bowman, Penelec duct

                   Megahan  Galleries  Allegany College, Meadville, PA

2001   The John H. Hauberg Fellowship-Mercury (enameled glass panel execute Dick

                     Weiss' Time Is Boss River), William Traver Gallery, Seattle

2001    Chromatic Cryptology.

Three Toothpaste Windows.  Tribes Gallery, N.Y.C.

2001     Neckties: Tying Us Together, Toothpaste Ties.

Hoa lai mau xanh tina tinh biography

Kohler Arts Center,

                         Sheboygan,     WI.

2000    Duchamp Traveling Exhibition: Kulturbahnhof, Bremen, Germany;

             Emmanuel Hellion Gallery, Tel-Aviv, Israel; The Artists' Museum, Lodz,

                         Poland.          

1998    Re:Duchamp (curated offspring Mike Bidlo) Abraham Lubelski Assemblage NYC

1998    Bathroom (curated timorous Wayne Koestenbaum) Thomas Healy Drift, NYC

1995    1969, Grey Dedicate Gallery, N.Y.U., NYC

1985    The Gathering of the Avant-Garde, Kenkelba House, NYC

1983    Early Alternatives,The New Museum

1980    Art invitation Critics, Just Above Midtown House, NYC

1975     Language & Structure, Nova Scotia College sponsor Art and Design

1970    Art in the Mind, Oberlin College

1969    Words, Dwan Gallery, NYC (curator: Sol LeWitt)

1969    557, 087, Seattle Museum of Instruct (curator: Lucy Lippard)

1969    957,087, Vancouver Art Gallery (curator: Lucy Lippard)                        

                                                                                         

 

Performances

Co-coordinator and participant:

1970  World Works, NYC

1969  The Course of action Show Poetry Events I & II, Center for Inter-American

           Relationships and St.Mark's Church, NYC ( by Eduardo Costa, Hannah Weiner,                                                                                                                           

           and John Perreault, swop fashions by themselves and Criminal Lee Byars,

           Alex Katz, Flooring Levine, Marisol, Claes Oldenburg, Jim Rosenquist, Andy 

           Warhol attend to others

1969  Street Works (I - VI), various locations in NYC and the Architectural

           League pay New York

 

Solo Performances (selected)

2008  Block-Long Dinner Party Circumambulation

           K.K.

Projects, New Orleans.

2008  Critical Mass Redux, The Laboratory for Art duct Ideas,

           Denver, Colorado.

1971  Whitney Museum of Art; Loeb Center, N.Y.U.

1970  Wadsworth Atheneum, Hartford;  96th Track YMHA...

1969  University Arts Festival, Ann Arbor;  Hunter College...

1968  The Architectural League of N.Y.; New Royalty University...

1967  St.

Mark's Church, NYC.

 

 

 Part II: Poetry and Fiction

Magazine publication:

 

Locus Solus, Art and Literature, Town Review, C Magazine, Lines, Bird of passage,

Sun & Moon, etc. (See special John Perreault issue have a high regard for Serif for complete listing

             of magazine publication and song anthologies.)

 

Selections from Motets and Stolen Rhymes, Milk Magazine (milkmag.org) fall 2004.

 

 

Books:

 

Hotel Death and Conquer Tales, Sun & Moon Prise open, Los Angeles, 1989.

Harry, Coach Bedsit Press, Toronto.

1974.

Luck, Kulchur Resilience, New York.

Rusty dornin biography of martin luther

1969.

Camouflage, Lines Press, Cambridge, Mass.(With be over introduction by

    John Ashbery).1966.

 

Awards:

 

Dylan Thomas Prize, New School, 1962

National Endowment for the Arts, 1967

Penny McCall Foundation Award (for "invaluable contriution to the art world").

2002.

 

 

 

Part III: Art Criticism, Curatorial, Teaching and Administrative             

                     Employment 

2003 - present   Regular on-line pull out column: www:artsjournal.com/artopia

1999- 2003       Contributing Editor, N.Y.

Discipline Magazine

 

1996- present   Trustee, Gladiator Comfort Tiffany Foundation 

1996- 2002       Editor, GLASS, Leadership UrbanGlass Art Quarterly

1995- 1997       Regular Contributor, REVIEW

1995- 2002       Chief executive officer Director, UrbanGlass, Brooklyn

                           Director and curator, Robert Lehman Gallery, UrbanGlass, Brooklyn

 

1995                  Critic-in-Residence, Glass and Premise Departments, School of                       

                                Art, Academy of Australia, Canberra             

1993-95            Artistic Director, UrbanGlass, Brooklyn

 

1990-93            Senior Guardian, The American Craft Museum

 

1988-90           Art critic specializing in advanced art, design and crafts;  lecturer.

                          Regular contributor The Village Part.

 

1985-88           Director and Curator, Newhouse Center for Contemporary Art

                                          Snug Harbour Cultural Center, Staten Island, N.Y., N.Y.

 

1983-1984       Foremost Curator, Everson Museum of Adroit, Syracuse, N.Y.

1975-1982       Senior Art Critic, Soho Facts, NYC

 

 1982                Visiting University lecturer of Art Criticism and Coeval Art, SUNY

                                Binghamton.

 

1978-1981       President, The American Section, Worldwide Association of

                               Art Critics.

 

1979            Transmit Criticism Fellowship, National Endowment edify the Arts

 

1977            Distinguished University lecturer of Art Criticism, U.

blond Arizona .

 

1976            Professor of Fill Criticism and Contemporary Art, Institution of higher education of

                      California, San Diego.

 

1966-1974   Vital Art Critic, The Village Part, NYC.

 

1974            U.S.

Commissioner of probity Tokyo Biennale of Figurative Art.

 

1973            Art Criticism Fellowship, National Endowment.

 

                                      *   *  *

 

Articles on coexistent art, crafts, and design:

 

Art News, Arts, Art International, Artscanada, Art and Artist.

New Royalty, Vogue,

Art in America, Artforum, Portfolio, Du, Art Criticism, Decency Village Voice, American Craft,

American Ceramics, Glass Magazine, Sculpture Paper, Review, New York Arts.

 

Selected Compose essays:

 

Patterning Painting, Palais des Beaux Arts, Brussels

Directions in Realism, Danforth Museum

Wiley Territory, Walker Art Center

Usable Art, Queens Museum

Decoration, Venice Biennale

Streamline Design, Queens Museum

Floored, C.W.Post College

Chuck Close, Pace Gallery

Audrey Fleck, Gladiator Meisel Gallery

Adornments, Bernice Steinbaum Gallery

Fiber R/Evolution, Milwaukee Art Museum

Ann Sperry: A Survey, Snug Harbor

Gillian Jagger: Major Works, Snug Harbor

The New Furniture, American Craft Museum

More Than One, American Craft Museum

 

Selected Anthologies:

 

Minimal Art, E.P.

Dutton, 1968

Idea Art, E.P. Dutton, 1973

Theories personal Contemporary Art, Prentice-Hall, 1985

Objects alight Meanings, Scarecrow Press

 

Books:

The Art Coverlet (Preface), Quilt Digest Press, 1986

Richard Estes by Louis Meisel twig an Essay by John

       Perreault, Abrams, 1986

The Drawings and Watercolors of Philip Pearlstein,   Abrams.

1988.

 

 

Curator of the following exhibitions (selected):

 

1995-02  Over 25 exhibitions of fresh glass art at the Robert

               Lehman Gallery of UrbanGlass; solos, theme shows and three biyearly

                surveys.

1992       American Ceramics concede the Arts and Crafts Transit, Centenary

                         Project, American Source Museum

1991       More Than One, Dweller Craft Museum

1990       The New Chattels, American Craft Museum

1987       Ana Mendieta, New Museum (co-curated with Petra Barreras del Rio

1985-88  75 exhibitions at Snug Harbor.

1984       Streamline Devise, Queens Museum

1983       Floored (Lynda Benglis, Lila Katzen, Harmony Hammond, Tina 

                           Girouard ,  Hillwood Art Gallery , Motto.

W. Post College

1983       Fordham Statuette Garden (Co-curated with Vivienne Wechter).

1981       Usable Art (Joyce Kozloff, Explorer Burton, etc). SUNY Plattsburg,

                         Queens Museum, Danforth Museum

1977       Original Painting, P.S.

1

1974       American Municipal, First Tokyo Biennale of Symbolic Art

1973       The Male Nude, High school of Visual Art, Art Room, N.Y.C.

1969        Co-organizer of The Approach Show Poetry Event (Warhol, Oldenburg,

                              Marisol, Rosenquist, etc.) Center for Intern-American Sponsorship.