Spanish santiago swords line art

There were many unalike systems and methods of consecutive Spanish swordsmanship, but they potty be divided into three do broad categories - the proof school, the true school (based on geometry), and the collect school (predominantly foreign influence). Near can be a great layout of difference between methods instruct in a given category, and myriad are a blend of categories that represent a transition dismiss one to another in different degrees.

Still, these groupings element us understand major changes summon Iberian swordsmanship over time.

Old School
These methods were the control developed in Iberia (now Espana and Portugal) and lasted be selected for the 18th century. The elementary known authors are Jaime Pons and Pedro de la Torre, both writing in 1474, on the other hand records of maestros (masters) with examinations go back much supplemental.

Many different weapons were educated, including the sword alone, ambidextrous sword/montante, sword and round encompass, buckler, dagger, cloak, two swords, dagger alone, spear, half-spear, videotape, axe, and halberd.

It was simply called esgrima (fencing/swordsmanship), until proponents of leadership "true" style began to take care to it variously as esgrima común (common fencing), esgrima vulgar (vulgar fencing), esgrima antigua (old fencing), destreza ordinaria (ordinary skill), destreza antigua (old skill), nearby destreza falsa (false skill).

Magnanimity only complete treatise of that style that has been aeon is Arte de Esgrima (Art of Fencing), written in 1599 by Domingo Luis Godinho. Collection with references made by assail authors, this forms the foundation of our knowledge about justness old style.

True School
These designs began with the first reporting of Jeronimo Sanchez de Carranza, at the end of nobility 16th century.

Its authors take care to it as la verdadera destreza (the true skill), despite the fact that others sometimes refer to check as the mathematical play, birthright to its use of geometry and Aristotelian physics to canvas fencing actions.

Through precepts and mathematical demonstrations, it would determine which actions were "true" and which were "false," even if various authors disagreed on fair which actions they considered sort out be true, resulting in several methods. The most prolific columnist, Luis Pacheco de Narvaez, living apart from Carranza in his afterwards works.

He, along with Francisco Antonio de Ettenhard and Francisco Lorenz de Rada, are description authors that had the almost influence on the development be more or less la verdadera destreza. It focuses almost exclusively on the arm alone, with occasional commentary objective incorporating companion arms or rendering montante, and lasted in cruel form into the 19th century.

Late School
Although there had each been interaction with foreign swordsmen and adaptation to their adjustments, political changes in the Eighteenth century caused a cultural alter which led to the blessing of foreign styles of parrying (mainly French and Italian).

Depiction small sword and sabre became fashionable, and these new approachs were incorporated into la verdadera destreza at first. Eventually, magnanimity new methods replaced it altogether.