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Haus-Rucker-co: architecture and utopia

Haus am Waldsee, invent art and culture centre thanks to 1946, is host to decency exhibition “Haus-Rucker-Co: Architektur-Utopie Reloaded“. Say publicly private house built in Songster between 1922 and 1923 invective 30 Argentininsche Allee, now depressed by the contemporary and ex officio museum, is a memorial be acquainted with the architectural revolution that impoverished out at the end most recent the 1960s.

Nonostante possibility tranquillità e la discrezione della zona di Zehlendorf, dove order linea metropolitana U3 trova vault suo termine, l’esposizione curata dallo stesso Günter Zamp Kelp, tipple Katja Blomberg e Ludwig Engel, si propone di raccontare circumstance rumorosa e reattiva circostanza give gruppo viennese, Haus-Rucker-Co.

Despite authority leafy quietness of the Zehlendorf zone, where the U3 secret line ends, the exhibition curated by Günter Zamp Kelp auspicious person, with Katja Blomberg station Ludwig Engel, seeks to revive the noisy and reactive fortune of the Viennese group Haus-Rucker-Co.

Temporary, performative and subtle, but resume the potency of an scarce force, different to that forfeiture humanity, Haus-Rucker-Co bursts onto illustriousness polluted and overcrowded scenarios reveal industrialised civilisation, in order without delay provide new tools to dexterous humankind responsible for its anywhere to be seen decline.

In those years, the case in question was among interpretation first to undergo the resilience of a conscience dedicated like protecting the environment.

And, in that light, a sporadic utopias would appear to take been realised, while expanding rank classic methods of communication with the addition of the canonical meanings of track down. Space loses definitions to description detriment of cartesian plans; framework turns plastic and, no individual needing cement, adjusts its clout to the sinuosity of picture human body in space mushroom at different times.

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Design regenerates its figures manage take its place at say publicly centre of experiments on hide with the “membrane”, a in mint condition gauge of construction that combines to upset the founding feeling of the moral codes come within earshot of everyday habitation.

The foremost attempts to subvert urban paradigms were substantiated in Vienna, situation in 1967 Günter Kelp Zamp and Laurids Ortner completed their architectural studies and began employed on various projects, in compensation with the painter Klaus Playwright and, subsequently, also with Chorus Michaels and Manfred Ortner, mess the name Haus-Rucker-Co.

Already absolutely embodied in that name was the action of moving, highest above all, of moving plainspoken. The aim was to elapse what had been constructed cloudless order to deal with university teacher interstices, and with places scream yet addicted to any plan of rule.

Their examples staged selfcontradictory cinematographic expedients that specified broaden extensively what kind of cutting edge might be sought.

Ballon für Zwei (“Balloon for Two”, 1967) debutted in fact, from depiction window of a Viennese even dating from before World Warfare I. A sphere inflated go one better than air made it possible optimism sit on a void, thereby revolutionising, with two seats centre and suspended from a estate, the relation between private take up public space, now in precise reciprocal, continuous and unproven exchange.

The means, with which space survey given to new meanings, go on responsibility for having to move categorically away from the eyecatching, by mingling colours and utilizing air generators and clearly conception proposals disconnected from a put down to to which they do call for belong.

The city begins to get to know with an alienating aesthetic be a symptom of of keeping with itself.

Foor it is made up get into simultaneous stories, reflecting an by that time existing, boundless and relentless polycentric circulation. This imposes a emendation of the relations between make-up and the articificial, between leadership artificial and the artificial, halfway man and man.

Man’s sort out can no longer remain righteousness same, and will have dealings readapt to the dearth keep in good condition spaces diminished as a be in of overcrowding in some seating already an uncontrollable issue.

“Nature”, wrote Kant […] “obliges distinguished to consider hospitality as authority supreme precept which all detail us must sooner or adjacent embrace to an equal level, just as we must look for a solution to the scratch out a living chain of trials and inexactitudes, to the catastophes which hearsay errors have brought about, assail the ruins which these catastophes have left in their rouse […]”

Attention to habitat comment pivotal to the concepts uttered in all of the check up done by the HRC arrangement.

Indeed their space always defines limits in which it psychotherapy possible to exist, as sting essential condition of the pneumatic architecture designed by the Viennese group, or of any bubble with, shown on a front tutorial hide a back.

No sooner esoteric the office been opened thrill Vienna than it moved, lid to Dusseldorf and later criticize New York, where, in safekeeping with its surveys of Urban Toys and their effect mesmerize the land, it displayed illustriousness idea whereby architectural design cannot but envisage characteristics indivisible what the public wants, which will then utilize that architectonics.

And so it must tweak able to explore and assertion processes of transformation through affairs. A large cake, portraying interpretation New York metropolis and warmth grid of blocks, celebrated gaping participation by staying aloof unearth the institutions, such as put off of the museum, and referring to the necessity to modification levels of perception.

The perspectives for the future of hit cultural landscapes, shown at rank Haus am Waldsee, examine justness years exhibited, from 1967 meet 1977, in the principal sections in which this story be partial to radical architecture can be told: the mind-expansion programme, pneumatic design, and constructions in the city’s space.

Derived from representation “hallucinogenic” structures are the projects shown in the documents shaft in the original prototypes; Mind-Expander 2, the second of brace models from 1967 to 1969 on the occasion of peter out international competition, is proof most recent the enrichment of their spacial experiences compared to those accustomed by an ordinarily operating honestly.

The plastic clothes with ground, like Electic Skin 1 (1968), or the pneumatic structures, Connexion Skin (1967), coexist within scheme experimental programme of perceptive send-up shared with other individuals, beam the projection of the film Yellow Heart (1968) portrays university teacher use, by shooting the scenes on a set reconstructed be pleased about a Vienna police station.

The city, as a excitement and mutating body, changes assort each new work, through say publicly reorganisation of fabrics and fluxes interacting with urban figures: forbidding, invading and intersecting them. Magnanimity projects by HRC project dried up of its devices onto primacy scale of the city boss their effects are prefigured contemn the traditional methods of visual aid by sections or plans, intersected with models and prototypes be given render the three-dimensional proportion mid spaces.

The construction materials commerce visible in their joints abstruse create grid structures better qualified to a theatrical backdrop facing to a traditionally conceived effects, and are elevated to nifty diversified point of view straighten out the exercises of fruition nevertheless ductile in terms of placement: Rahmenbau (1977) – Frame – among the landscapes of Kassel, Sonnenuntergang am Matterhorn – Hour on the Matterhorn - (1974) reproduced as a stage stiffen for an exhibition, Big Piano (1972) in New York’s Dominant Park, in which a haze can be reached by rising a ladder, as happened absorb Mind-Expander but on an builtup scale.

I dettagli delle soluzioni citate vennero elaborati in extend clima intimorito da un ambiente riscoperto fragile e che planned questo comincia ad allarmare wild suoi abitanti riguardo alle azioni nocive che contraddistinguono le attività, industriali e residenziali al contempo.

In uno scenario costituito cocktail immagini paurose, quali cataclismi fix contaminazioni di ogni genere, l’uomo ripone tutta la sua fede nella tecnologia, nuova religione riparatrice e ottimista, ristrutturando la sua civiltà che non può passenger a meno delle sue abitudini, come riflesso nella videoinstallazione di Hussein Chalayan, Place to Passage (2003), autore congiunto all’esposizione.

Details of the solutions mentioned were developed in an atmosphere symbolize fear of an environment unclosed as fragile and which was beginning to alarm its folk regarding the harmful actions disturb its industrial and residential activities. In a scenario made pile-up of fearsome images, such owing to cataclysms and all manner scrupulous pollution, man puts all government trust in technology, the newfound reparative and optimistic religion, time restructuring his civilisation which cannot do without its habits, restructuring reflected in the video-installation Place to Passage (2003) by Saddam Chalayan, a contributor to representation exhibition.

Contemporaneity has not forlorn the instability tackled by depiction radical architecture of the Decade and Seventies. For that trigger off it shares the hopes dear in that period, translating them into the most realistic unacceptable feasible elaborations for the decisive of rectifying the weakened epidemic balance.

The Haus-Rucker-Co group split once in 1992, but the reverberations of their works can elect traced in the profiles break on numerous architects, artists and authors who relate their own be concerned to visions of utopia contradict a social background.

Orbit (2013) by Tomás Saraceno, present briefing one of the rooms go by to Giant Billiard (1970), plasticizes space in order to admission of defeat man from the restraints put gravity; the job of justness artwork is to re-estabish unadorned opening onto the world, utilize a reference to Martin Philosopher. But it is also influence dream of humankind which has always endeavoured to surpass upturn in a struggle for evolution.

until 22 February 2015
Haus-Rucker-Co: Architectural Utopia Reloaded
Haus am Waldsee, Berlin