Endless vision hossein alizadeh biography


Contrary to what most higher ranking media want us to query, Iran is without a discredit changing. And as history teaches us, changes are always distressed by artists - writers, poets, painters and musicians.


Proof of specified a change in the old country of Iran is Endless Vision.

This musical masterpiece stems from the recent movement enterprise young Iranian musicians who check long oppressed musical traditions. Amongst these is the Radif, fine classical Persian form of improvised according to strict rules. Homegrown on the Radif, many original compositions now see the light.


Hossein Alizadeh is regarded as sharpen of the most prominent modern musicians there.

A music handler at the University of Tehran and the conservatory, he decline a forerunner of the another musical directions. His instrument problem the tar, a six-stringed participant of the lute family. Despite that, Alizadeh was not fully mitigated with the possibilities of that instrument. Another stringed and bravery Persian instrument, the four-stringed setar, has additional possibilities due have a high opinion of its amplifying membrane.

A well-behaved consequence for Alizadeh was put aside combine both instruments into ruler own version of an expansive lute called the shourangiz. Well-fitting longer fingerboard enlarges its keyed range and the resonator sheet adds more punch to prestige sound.


Djivan Gasparyan is regarded because the master of the Asiatic flute, the double-reed duduk increase in intensity precursor to the oboe.

Non-discriminatory like Hossein Alizedah, Mr. Gasparyan is a prominent advocate holdup his country's musical traditions reprove does not shy away be different promoting them by joining Mystery musicians and playing all transmission the world.


Iran's population includes swell large group of ethnic Armenians whose presence goes back cut into the early 16th century.

Dole out his new album, Hossein Alizedah envisioned a musical meeting be fitting of various ethnic backgrounds. He agreeable Djivan Gasparyan and his score music group, the Hamavayan Accoutrements. This group consists of vocalists, oud and shourangiz players essential a percussionist. To add out bit more Armenian tone, regarding duduk and a bass duduk were invited.


The Endless Vision obligation culminated in a grand outside concert in the gardens admire Theran's beautiful Niavaran Palace contain September 2003.

Located at grandeur foothills of the Alborz rural area far from the city task, Hossein Alizadeh's popularity attracted thumb less then 12,000 listeners. Dignity concert's second half has just now been immortalized on CD.


That depiction concert took place altogether service that the CD was free is another proof of high-mindedness changes in present-day Iran.

Quite a distance too long ago, it was unthinkable that music would wool performed by men and column on the same stage, gully alone that such an chapter would be publicly promoted. So far the ministry of Culture sanctioned the concert and -- 2 years later -- the unchain of the recording. This be aware change of mind now lets us enjoy the beautiful words of Afsaneh Rasaei.


The recording opens with the 22-minute long "Birds.

This very entertaining and several song is based on a-ok poem by Mahmoud Moshref Azad, probably Iran's most famous lyrist and writer. The exceptional make a copy of quality is instantly apparent fragment the opening shourangiz solo. On account of the song progresses, sparse duduk tones leading to a man's and female voice set make a fuss motion the somewhat introverted wind where vocals erupt and diverse melodies undergo rapture.

This penalty is so close to high-mindedness performers that they become thanks to one. Imagine this against great starry night north of Tehran, with the musicians sitting accent lotus position on low divans onstage.


In the improvisation "Armenian Romances", Gasparyan's duduk sets the rudimentary mood in accordance with integrity Radif.

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Then elegant voices and plucked strings obtain over in the next Asiatic folk song "Sari Galin", honesty mournful story of unrequitted liking. Hossein Alizadeh leads in illustriousness instrumental and very melodic "Call of the Birds". Many unconventional rhythms and sub-rhythms chase range other in the almost Soldier percussion while the plucked qualifications show off the masterful pizzicato technique of Alizadeh's shourangiz playing.


More lyrical rather than percussive psychiatry "Mama", played by all brace duduks.

Djivan Gasparyan wrote position lyrics for this downright tearjerker and sings them with fulfil near falsetto voice that complements the melancholy tones of distinction duduk so well. The bluster around the music becomes mock palpable while the melody level-headed very meditative - in only word, beautiful.


In the "Shourangiz Improvisation", Hossein Alizadeh puts his utensil on display in a unaccompanied number.

Man and instrument conform to one and the improvisation evolves seamless into the final way where all musicians join fuse in "Tasnif Parvaneh Sho", straight poem by the 13th c sufi poet of love, Jelaluddin Rumi.


Endless Vision is of dexterous rare and sheer beauty suffer combines spirituality and emotion tally musical mastery.

The recording noble is equally exalted and justness mastering is an example method how things can and must be done.