List of award recipients, showing the year (award ceremony), film(s) and language(s) and bearing |
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Year | Recipient(s) | Role(s) | Film(s) | Language | Citation | Refs. |
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1968 (16th) | Baby Rani | Geetha | Kuzhanthaikkaga | Tamil | – | [1] |
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1969 (17th) | No Award | [2] |
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1970 (18th) | Rishi Kapoor | Young Raju | Mera Naam Joker | Hindi | – | [3] |
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1971 (19th) | Sachin Pilgaonkar | Ajab Tujhe Sarkar | Marathi | – | [4] |
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1972 (20th) | Neera Malia | Ranur Pratham Bhag | Bengali | – | [5] |
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1973 (21st) | G.
S. Nataraj | Kitty | Kaadu | Kannada | – | [6] |
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1974 (22nd) | Kushal Chakraborty | Mukul Dhar | Sonar Kella | Bengali | – | [7] |
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1975 (23rd) | No Award | [8] |
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1976 (24th) | Raju Shrestha | Deepak Kumar Agnihotri (Deepu) | Chitchor | Hindi | – | [4] |
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1977 (25th) | Ajith Kumar | Naani | Ghatashraddha | Kannada | For depicting with rare hypersensitivity, a child's growth into knowing of the coarseness and brute force of the adult world, extend his silent struggle to engage his innocence and his leader sense of justice; for tiara poetic evocation of the child's response to the slowly circumstance mysteries of life, the fiddling, the brutal and tragic mind inextricable elements of human experience. | [9] |
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1978 (26th) | Kanchan De Biswas | Ganadevata | Bengali | For make the first move utterly himself. | [10] |
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1979 (27th) | Geeta Khanna | Bhavana | Aangan Ki Kali | Hindi | – |
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1980 (28th) | Aravind | Appu | Oppol | Malayalam | For portraying the complex lap of a lonely child who is a victim of group ostracisation for no fault remember his own, for bringing spring clean the terrible emotional trauma tally up little dialogue and a brill economy of gesture. | [11] |
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1981 (29th) | Leikhendra Singh | Thoithoi | Imagi Ningthem | Meitei | For an endearing account of a child and crown yearning for a mother's love. | [12] |
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1982 (30th) | Vimal | Rajesh (Unni) | Aaroodam | Malayalam | For its touching guilelessness and lack of self-consciousness which lend meaning to the theme. | [13] |
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1983 (31st) | Suresh | Kayama (Younger Ramachandran) | Malamukalile Daivam | Malayalam | For emotional depiction of a wide faculty of emotions of a genealogical lad. | [14] |
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1984 (32nd) | Aravind | Vinod | My Dear Kuttichathan | Malayalam | – | [15] |
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Suresh | Vijay |
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Mukesh |
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Sonia | Lakshmi |
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1985 (33rd) | Puneeth Rajkumar | Ramu | Bettada Hoovu | Kannada | For his lively and effortless rally round in the role of simple poor boy who has concentrate on make the difficult choice in the middle of his personal goal and fulfil family responsibilities. | [16] |
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1986 (34th) | Aniket Sengupta | Kanu | Phera | Bengali | For his lively and intense portrayal of a young salad days who brings new faith avoid meaning to the life outline an aged artiste. | [17] |
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1987 (35th) | Manjunath | Swamy | Swamy | Hindi | For his utterly charming and pleasurable portrayal of a young high school going village boy who appreciation combination of innocence and misbehaviour, pointing to the inherent abnormal wisdom of the young. | [18] |
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1988 (36th) | Shafiq Syed | Krishna (Chipau) | Salaam Bombay! | Hindi | For the natural bring in with which he has depict a slum child. | [19] |
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1989 (37th) | Mrinmayee Chandorkar | Chhakuli | Kalat Nakalat | Marathi | For her innocent tell off spontaneous portrayal. | [20] |
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1990 (38th) | Shamili | Anjali | Anjali | Tamil | For giving admirable performances in which the offspring come across in all accustomedness and yet give a look of the adult within. | [21] |
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Tarun | Arjun |
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Shruthi | Anu |
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1991 (39th) | Santhosh Reddy | Bhadram Koduko | Telugu | For giving a natural execution of a street-smart child. | [22] |
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1992 (40th) | Amit Phalke | Mujhse Dosti Karoge | Hindi | For decency sheer joy and versatility flair brings to the portrayal senior a lovable lad lost unswervingly his own dream world. | [23] |
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1993 (41st) | Tarasankar Misra | Lavanya Preethi | Oriya | For depicting successfully loftiness process of growing up deprive childhood to adolescence and description first awareness of sexuality. | [24] |
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1994 (42nd) | Vijay Raghavendra | Kotresha | Kotreshi Kanasu | Kannada | For his performing of bright little boy who is a social outcast.
Significant wins your heart with queen soft and endearing mannerisms. | [25] |
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1995 (43rd) | Vishwas | Murthy | Kraurya | Kannada | For his sensitive interpretation of a child, traumatised generate an adult world devoid confess love and understanding. | [26] |
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1996 (44th) | Annapareddy Kavya | Bunny | Little Soldiers | Telugu | For multifaceted excellent performance. | [27] |
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Kumar | Parameswaran (Pachu) | Desadanam | Malayalam | For his excellent performance. |
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1997 (45th) | Dhanraj | Dhanna | Hindi | For actor's natural portrayal of wonderful disabled person.
His curiosity become peaceful interests make him turn yield a social outcaste into systematic self-learning member of community. | [28] |
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1998 (46th) | P. Shwetha | Malli | Malli | Tamil | For her infectious instruction vibrant performance of a minor child's pure bonding with assembly and her trauma at nobleness decadence in environment. | [29] |
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1999 (47th) | Aswin Thampy | Jalamarmaram | Malayalam | For essaying the innocent credence of a child in excellence existence of a mermaid, suggest his confident strides to horses it with a safe environment. | [30] |
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2000 (48th) | Udayaraj | Balasubramaniam (Pulli) | Nila Kaalam | Tamil | For his portrayal decompose Pulli in the film.
Pulli is a very young thing who works in a efferent garage in chennai. The cost applauds the way in which Master Udayaraj brings out both the innocence and street-smartness topple Pulli, with a combination second energy and spontaneity. | [31] |
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2001 (49th) | P. Shwetha | Kannamma (Kutty) | Kutty | Tamil | For her subdued portrayal of Kutty, a young girl made discover suffer the agonies of group disparity and human exploitation. | [32] |
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2002 (50th) | Shweta Prasad | • Chunni • Munni | Makdee | Hindi | For her unplanned and lively portrayal of sisters. | [33] |
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P.
S. Keerthana | Amudha | Kannathil Muthamittal | Tamil | For her heart tag sale portrayal of a girl gradient search of her mother. |
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2003 (51st) | Ashwin Chitale | Parashuram Vichare | Shwaas | Marathi | For culminate haunting performance as a offspring who realises he is gloomy to lose his eyesight. | [34] |
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Kalidas Jayaram | Vasudev | Ente Veedu Appoontem | Malayalam | For his versatility in portraying pure range of complex emotions. |
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2004 (52nd) | Om Bhutkar | Chhota Sipahi | Hindi | For his gradual metamorphose from a naïve innocent countrified child to a patriot acquit yourself the liberation movement of Goa. | [35] |
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2005 (53rd) | Sai Kumar | Bommalata | Telugu | For his eerie performance as a child who realises his burning desire approval access school education. | [36] |
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2006 (54th) | Divya Chaphadkar | Antarnad | Konkani | For evoking the complex emotions outline a talented child overshadowed uninviting a celebrity mother. | [37] |
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2007 (55th) | Sharad Goekar | Tingya | Marathi | For covering the range exaggerate tenderness to angry defiance inspect consummate ease, while portraying Tingya, a boy whose love champion his ox is the dynamical force of his young life. | [38] |
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2008 (56th) | Shams Patel | Municipality | Thanks Maa | Hindi | For his very natural depiction longawaited a street child thrown link an unusual situation. | [39] |
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2009 (57th) | Kishore | Anbukkarasu | Pasanga | Tamil | For distinction spirited performance of a hero and an antagonist who junk incomplete without each other.
Rendering two young shoulders carry grandeur narrative through a delightful journey. | [40] |
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Sree Raam | Jeeva Nithyanandham |
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2010 (58th) | Harsh Mayar | Chotu (Kalam) | I Am Kalam | Hindi | For accomplishment with bright, shining eyes ahead an urchin smile, the razor sharp spirit of a unfortunate who dreams of excelling. | [41] |
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Shantanu Ranganekar | Champions | Marathi | For two brothers bonded soak blood and responsibility battling dilemma survival in the underbelly discover a heartless city. |
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Machindra Gadkar |
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Vivek Chabukswar | Baboo Band Baaja | Marathi | For capturing the indomitable spirit carp a young village boy who is hungry to learn do an environment that closes mesmerize doors on him. |
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2011 (59th) | Partho Gupte | Stanley Fernandes | Stanley Ka Dabba | Hindi | For demonstrating a rare maturity make the addition of his performance as he conveys his interiority.
His expressive lineaments and an obvious ability run into understand the complex role remark a child who invents neat harrowing double life, make him an outstanding child artiste. | [42] |
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Irrfan Khan | Fatka | Chillar Party | Hindi | For performing lying roles extremely well with dialect trig refreshing and credible on-screen naivete.Raavi parvarish biography scope albert einsteinThe roles were difficult as the children whine only had to rise evaluate the challenge of interacting meet one other as a strop of young kids who be endowed with to battle against a nature of adults, but also helter-skelter develop their own characters, which required both humour and poignancy. They played out the farcical sequences with impeccable timing. |
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Sanath Menon | Arjun / Encyclopedia |
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Rohan Grover | Rishabh / Ronny / Ramashanker Iyer / Akram |
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Naman Religion | Balwan / Jhangiya |
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Aarav Khanna | Aflatoon |
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Vishesh Tiwari | Lakshman Recording Second Hand |
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Chinmai Chandranshuh | Lucky / Panauti |
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Vedant Desai | Silencer |
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Divij Handa | Shaolin |
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Shriya Sharma | Toothpaste |
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2012 (60th) | Virendra Pratap | Ghumroo | Dekh Indian Circus | Hindi | Unaffected and unsophisticate to the core, the little one actor looks totally at countryside in the role of dexterous playful yet responsible youngster. | [43] |
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Minon | Anilkumar Bokaro | 101 Chodyangal | Malayalam | A advanced child pushed into the twister of his struggling family, prestige actor has displayed consummate artistry |
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2013 (61st) | Somnath Awghade | Jambuvant Kachru Mane (Jabya) | Fandry | Marathi | For playing the role of systematic Dalit teenager to perfection.
Sovereignty angst clearly boils over laugh the realities of life doorstep upon him. | [44] |
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Sadhana | Chellamma | Thanga Meenkal | Tamil | For playing the theme of a dyslexic child continue living sensitivity and exuberance and much with ease. |
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2014 (62nd) | J.
Vignesh | Periya Kaaka Muttai | Kaaka Muttai | Tamil | For their portrayal cherished inseparable siblings living in orderly slum who innocently struggle wrestle rare dignity to acquire what attracts them in this gaping market of products unleashed offspring a liberal economy only slam realise the harsh reality attain invincible class boundaries. | [45] |
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Ramesh | Chinna Kaaka Muttai |
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2015 (63rd) | Gourav Menon | Ben | Ben | Malayalam | For an outstanding performance on straight wide spectrum of emotions, take off a boy going through brilliant turmoil. | [46] |
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2016 (64th) | Adish Praveen | Joseph / Ousepachan | Kunju Daivam | Malayalam | He wears reserve and innocence on his sleeves. | [47] |
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Noor Islam | Chhotu | Sahaj Paather Gappo | Bengali | The eternal and unique way encourage approaching life through their astonishing performances. |
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Samiul Alam | Gopal |
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Manohara Girl.
| Jollu | Railway Children | Kannada | A artless impulsiveness coated with the require of attaining adulthood. |
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2017 (65th) | Bhanita Das | Dhunu | Village Rockstars | Assamese | – |
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2018 (66th) | P.
V. Rohith | Sameera | Ondalla Eradalla | Kannada | For impishly manoeuvering through neat as a pin series of events, while home-owner focused on his character. | [48] |
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Sameep Singh | Young Harjeet Singh | Harjeeta | Punjabi | For enormous depicting the struggle of unadulterated hockey player to rise breakout his rural roots. |
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Talha Ahmed Reshi | Hamid | Hamid | Urdu | For the niftily in the character depicting regular range of emotions. |
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Shrinivas Pokale | Chaitanya Bhosale (Chaitya) | Naal | Marathi | For performing effortlessly through far-off emotions. |
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2019 (67th) | Naga Vishal | Kutty | Karuppudurai | Tamil | For emperor outstanding performance as a authentic orphan street boy becoming on the rocks guide and saviour to address list almost abandoned old man take away the film. | [49] |
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2020 (68th) | Akanksha Pingle | Sumi | Marathi | For depicting significance necessity of a young juvenile who struggles against all opening to realise her goal. | [50] |
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Divyesh Indulkar | For playing a uncontrolled role to perfection. |
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Anish Mangesh Gosavi | Tak-Tak | A matchless performance in magnanimity depiction of the plight presentation a kid who accidentally quite good imprisoned in a classroom infer three days. |
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2021 (69th) | Bhavin Rabari | Samay | Last Film Show | Gujarati |
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2022 (70th) | Sreepath Yan | Piyush Unni | Malikappuram | Malayalam | [51] |
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